For African labels and distributors
Royalty software for African and Nigerian labels
The hard part of running a label out of Lagos, Accra, Nairobi or Johannesburg is not the accounting itself — it is that the money arrives in one currency, on statements that each deduct a different fee, and has to leave in another. Royalti.io is built for that shape of problem.
See pricing — free plan, no trial →What actually makes this different
Income arrives in USD, EUR and GBP. Artists get paid in NGN, ZAR or GHS.
Royalti routes per-source currency through to payout, and exchange rates are managed from the dashboard rather than hard-coded or applied at whatever rate the day happens to offer.
Every distributor deducts a different fee before the money reaches you.
Fee rates are configured per source, so what a statement says and what actually landed reconcile without a spreadsheet in between.
A long roster of artists each earning modest amounts.
We meter the royalty volume you process, never artist count or catalog size. A 300-artist roster on modest earnings is not a pricing event here — which is not true of platforms priced per artist.
Royalties earned abroad that never find their way home.
Most of the leakage is registration and metadata, not collection. Our writing on cross-border collection covers what has to be registered before the money can route to you at all.
Further reading
Royalty processing, source fees & exchange rates
How per-source fee rates and currencies are applied, and how to manage exchange rates.
Cross-border royalty collection
How a Nigerian artist actually gets paid for a UK tour or European streams.
Beats, rights and royalties
What every Nigerian producer needs to know before the handshake deal.
Why Nigerian artists miss song placements
The documentation and rights gaps blocking Afrobeats from the screen.